![]() ![]() This except from the script captures it perfectly: Unlike the Hospitaller he is a man we could maybe understand, only under different circumstances. The aloof sorrow and coolness about him creates a similar unknowable quality, but in a much more tragic and human way. And Norton's King Baldwin IV is something of a revelation as well. He has an assuredness to him, like he knows something no one else does. Thewlis' unnamed Hospitaller character was seen by Scott and writer William Monahan as an actual divine figure of some sort, and I think Thewlis brings a subtle unearthly quality to the character. Perhaps controversial but I thought David Thewlis and Edward Norton in give career best performances. It highlights the ideological conflict of Christianity and war, the inherent hypocrisy, in a way I've been longing to see from many current day war films. The dogma and warmongering of the Crusaders is portrayed as particularly un-Christ like. The meditations on faith and God are genuinely thought provoking, and I thought the choice to separate true holiness from organised religion was very classy. I thought Scott's portrayal of the Muslim/Christian conflict was done with a lot of equity and nuance, much more so than I would have expected from a film made so soon after 9/11. It's shame how much the supposed poor theatrical cut marred this films reputation as it's an excellent examination of faith and war. ![]()
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